塔姆巴库·查基拉·奥布·阿里

本片由导演XX主演，于未知印度上映！

Tambaku Chaakila Oob Ali记录、重新颁布并提出了其时代和背景下最大的无组织劳工运动之一，这在整个20世纪80年代在印度引发了工会化进程。本着动员左翼劳工和妇女运动的精神，Yugantar集体花了四个月时间与女性烟草打交道。印度卡纳塔克邦尼帕尼的工厂工人，倾听他们对剥削性工作条件的描述，讨论加入工会的战略和为罢工行动扩大团结的步骤，以及拍摄工厂内以前看不见的情况。团队按照工人的指示记录他们的行为，包括应该记录的内容、地点和方式，并通过工人的叙述形成一个松散的脚本。尤甘塔拉对政治友谊的复杂性以及如何“站在一起”的承诺，引发了当时的一种开创性的合作电影制作实践，这种实践体现在大规模的重演中，一种作为多方位证词的旁白，以及第一次出现在荧幕上的工人阶级妇女“向权力说话”。一个女权主义者第三电影的有力例子，现在可以重新审视和传播其电影/政治能量。 Tambaku Chaakila Oob Ali documents, re-enacts, and takes forward one of the largest movements of unorganized labor of its time and context, which sparked unionizing processes across India throughout the 1980s. In the spirit of mobilizing for the leftist labor and the women’s movements the Yugantar collective spent four months with female tobacco factory workers in Nipani, Karnataka in India, listening to their accounts of exploitative working conditions, discussing strategies for unionizing and steps to broaden solidarities for strike actions, and filming previously unseen circumstances inside the factories. The team followed the workers’ leads as to what, where, and how their actions should be recorded, and developed a loose script through the workers’ narratives. Yugantar’s commitment to the complexity of political friendships and how to ‘stand with’ provoked a then pioneering collaborative filmmaking practice embodied in large scale reenactments, a voice-over as pluriverse testimony, and the production of the first screen presence of working-class women ‘speaking to power’. A powerful example of a feminist third cinema, now available to be revisited and to spread its film/political energies.